Sometimes a globe has surface texture showing topography; in these, elevations are exaggerated, otherwise they would be hardly visible. Most modern globes are also imprinted with parallels and meridians so that one can tell the approximate coordinates of a specific place. Globes provide the best view of Earth today.
A potential issue arises regarding the "handedness" of celestial globes. If the globe is constructed so that the stars are in the positions they actually occupy on the imaginary celestial sphere, then the star field will appear back-to-front on the surface of the globe (all the constellations will appear as their mirror images). This is because the view from Earth, positioned at the centre of the celestial sphere, is of the ''inside'' of the celestial sphere, whereas the celestial globe is viewed from the ''outside''. For this reason, celestial globes may be produced in mirror image, so that at least the constellations appear the "right way round". Some modern celestial globes address this problem by making the surface of the globe transparent. The stars can then be placed in their proper positions and viewed ''through'' the globe, so that the view is of the inside of the celestial sphere, as it is from Earth.
No terrestrial globes from Antiquity or the Middle Ages have survived. An example of a surviving celestial globe is part of a Hellenistic sculpture, called the Farnese Atlas, surviving in a 2nd century AD Roman copy in the Naples Museum, Italy.
Early terrestrial globes depicting the entirety of the Old World were constructed in the Islamic Golden Age. One such example was constructed in the 9th century by Muslim geographers and cartographers working under the Abbasid caliph, Al-Ma'mun. Another example was the terrestrial globe introduced to Beijing by the Persian astronomer, Jamal ad-Din, in 1267.
The oldest surviving terrestrial globe is credited to Martin Behaim in Nuremberg, Germany, in 1492. A facsimile globe showing America was made by Martin Waldseemueller in 1507. Another early globe, the Hunt-Lenox Globe, ca. 1507, is thought to be the source of the phrase "Here be dragons". Another "remarkably modern-looking" terrestrial globe of the Earth was constructed by Taqi al-Din at the Istanbul observatory of Taqi al-Din during the 1570s.
An unusually high proportion of vintage 20th century world globes feature the Australian town of Birdum, which no longer exists but once held an important position at the end of the Northern Australian Railway.
A globe is usually mounted at a 23.5° angle on bearings. In addition to making it easy to use this mounting also represents the angle of the planet in relation to its sun and the spin of the planet. This makes it easy to visualize how days and seasons change.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| name | Mickey Hart |
|---|---|
| background | non_vocal_instrumentalist |
| birth name | Michael Steven Hartman |
| birth date | September 11, 1943 |
| origin | Brooklyn, NY, United States |
| instrument | Percussion |
| genre | Rock |
| occupation | Musician |
| years active | 1960s–present |
| associated acts | Grateful Dead (1967–71, 1974–95)The Other Ones (1998–2002)The Dead (2003–09)Rhythm Devils (2006, 2010) |
| website | www.mickeyhart.net }} |
Hart joined the Grateful Dead in September 1967, and left in February 1971. During his sabbatical, in 1972, he recorded the album ''Rolling Thunder''. He returned to the Dead in 1974, and remained with the group until their official dissolution in 1995. Collaboration with the remaining members of the Grateful Dead continues, under the band name The Dead.
Alongside his work with the Grateful Dead, Mickey Hart has flourished as a solo artist, percussionist, and the author of several books. In these endeavors he has pursued a lifelong interest in ethnomusicology and in world music. His travels and his interest in all things percussion-related led him to collect percussion instruments, and to collaborate with percussion masters the world over.
Hart became interested in percussion as a grade-school student. A few months out of high school he "discovered the work of Nigerian drummer Babatunde Olatunji". Olatunji later taught Hart and collaborated with Hart and the Grateful Dead on a regular basis.
Hart was influential in recording global musical traditions on the verge of possible extinction, working with archivists and ethnomusicologists at both the American Folklife Center at the Library of Congress, and the Center for Folklife and Cultural Heritage at the Smithsonian Institution. He is on the Board of Trustees of the American Folklife Center and has been a spokesperson for the Save Our Sounds audio preservation initiative. He also serves on the Library of Congress National Recorded Sound Preservation Board and is known for reissues and other recordings with historical and cultural value.
In 1991, Hart produced the album ''Planet Drum'', which remained at #1 on the ''Billboard'' World Music Chart for 26 weeks, and received the first ever Grammy Award for Best World Music Album.
Hart has written books on the history and traditions of drumming throughout history. His solo recordings (featuring a variety of guest musicians) are percussive of course, but also verge on New Age music categorically. His enthusiasm for world music traditions and preservation and collaborative efforts is comparable to that of guitarist Ry Cooder.
In 2000, Hart became a member of the Board of Directors of the Institute for Music and Neurologic Function, a not-for-profit organization whose mission is to seek to establish new knowledge and develop more effective therapies which awaken, stimulate and heal through the extraordinary power of music – continuing his investigation into the connection between healing and rhythm, and the neural basis of rhythm. In 2003, he was honored with the organization’s Music Has Power Award, recognizing his advocacy and continuous commitment to raising public awareness of the positive effect of music.
Hart was also a judge for the 3rd annual Independent Music Awards to support independent artists' careers.
After the death of Jerry Garcia and the consequent dissolution of the Grateful Dead in 1995, Hart continued to play music with various groups including members of the Grateful Dead. In the 1996 Furthur Festival, Mickey Hart's Mystery Box played, as did Bob Weir's band Ratdog.
In 2005, Hart and the members of the band Particle joined to create the Hydra Project.
During 2006, Hart teamed up with fellow Grateful Dead bandmate Bill Kreutzmann, Phish bassist Mike Gordon and former The Other Ones lead guitarist Steve Kimock, to form the Rhythm Devils, a nickname that refers to Hart and Kreutzmann's legendary drum solos and improvisation. The band features songs from their respective repertoires as well as new songs written by Jerry Garcia's songwriting companion Robert Hunter. The Rhythm Devils announced their first tour in 2006, which ended at the popular Vegoose festival in Las Vegas, Nevada over the Halloween weekend.
In June and July 2008, Hart led the Mickey Hart Band on a U.S. concert tour. The band consists of Hart, Steve Kimock on guitar and pedal steel guitar, George Porter, Jr. on bass, Kyle Hollingsworth on keyboards, Sikiru Adepoju on talking drum, Walfredo Reyes, Jr. on drums, and Jen Durkin on vocals.
In 2010 Hart debuted "Rhythms of the Universe," a composition based on a variety of astrophysical data. The composition represents a collaboration between scientist and artist, using their own sophisticated tools. Nobel Laureate in physics George Smoot from the University of California, Berkeley, and Lawrence Berkeley National Laboratory (LBNL), and Keith Jackson, a computer scientist and musician also from LBNL, are providing some of the data for the project. The final result will be a musical “history of the universe", from the Big Bang onwards through galaxy and star formation, up until modern times, including images from the Hubble Space Telescope and rhythms derived from the cosmic background radiation, supernovae, quasars, and many other astrophysical phenomena. The work premiered at the conference "Cosmology on the Beach" in Playa de Carmen in January 2010.
In April 2010, it was announced that Rhythm Devils will tour in the summer of 2010 with a new lineup including Mickey Hart and Bill Kreutzmann (assorted percussion), Keller Williams (guitar, vocals), Sikiru Adepoju (talking drum), Davy Knowles (guitar, vocals), and Andy Hess (bass).
Category:1943 births Category:American rock drummers Category:Grammy Award winners Category:Grateful Dead members Category:Living people Category:People from Five Towns, New York Category:People from Sonoma County, California Category:Planet Drum members Category:Sebastopol, California Category:Musicologists Category:Writers from California
de:Mickey Hart fr:Mickey Hart it:Mickey Hart nn:Mickey HartThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Wisdom is most famous for his role as the singer in the glam/gothic rock group Specimen, but since the 1990s he has recorded as a psychedelic trance artist under the name Space Tribe.
Prior to forming Specimen and opening the Batcave nightclub, Wisdom was the frontman for the punk band, The Unwanted. Their most popular song was a cover version of Nancy Sinatra's "These Boots Are Made For Walkin'". After the Unwanted, Wisdom joined Metroz for a few months.
Category:Year of birth missing (living people) Category:Living people Category:Psychedelic trance musicians Category:Gothic rock musicians Category:English punk rock singers Category:English male singers Category:Music from London Category:English trance musicians Category:Place of birth missing (living people)
de:Olli Wisdom pl:Space Tribe pt:Space Tribe sv:Space Tribe
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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